RUTZ Poem: Mimo

Mimo

Hometowns remind me of a bird's nest

Changes arrive after each season 

But the overall structure remains the same

Colors either faded or got brighter others completely replaced 

Still I know this space

Every step is filled with trust

These days I can look through dirty windows in familiar plazas

And see the dust of abandoned dreams

The sweltering heat has intensified and

Sometimes it dissolves me back to an array of memories from my childhood

When my energy was abundant 

My thoughts innocent 

And my limbs performed with an ease I shall never enjoy again 

I saw a face that resembled my father's 

I wondered if this resembling face had similar struggles 

Until a transit bus roared past and made me forget what I wanted to think next 

I thought of my mother when I saw a woman walking through the mid-day magic city heat 

Surviving another summer in the winter of her years

I know my mother is proud of who I've become 

But I still feel like I let her down 

I drive away from the settings of my past 

Walk into the hotel and place my body right under one of the central air vents 

Refreshed I start to feel better   

RUTZ Classic Movies: "The Birds"

Directed by Alfred Hitchcock    

Line that stays with me: “Don't they ever stop migrating?”

 

Essay Warning: There are no spoilers or story details. I want to offer the emotion that a film can access within us. Plus I think the best way to watch a film is by not knowing anything about it. Just Go In…So if you haven’t watched this film yet please don’t read this essay. Read it afterwards so we can enjoy the “feeling” together.

The pleasure of watching a great Hitchcock film to me is so varied. Very few film directors have worked as hard as Alfred Hitchcock did to offer us so much on an emotional level. He is known as the “Master of Suspense” rightfully so, and suspense is the key emotion to all of cinema.  A film should always keep your mind stuck on “What’s going to happen next?” Meaning, you forget about your troubles for the next two hours and instead become emotionally involved with what is happening on the screen. To me that is very pivotal for a film, to make people jump through an open window and get lost on the other side. Sadly, not many films offer us that sort of experience these days and when you watch a great Alfred Hitchcock film like “The Birds” you instantly notice the difference in approach. Most films today spoon feed you realities; Alfred Hitchcock created beautifully thought out realities very akin to paintings and wants you to look around. Alfred Hitchcock understood that every human being is built with a natural hunger for voyeurism. Not much of a surprise, the way we are thrown into this world who wouldn’t have an appetite to know what’s happening around us and the unknown. As children we would peek over fences, I remember being in 2^nd grade sneaking around the school parking lot to catch my teacher smoke a cigarette. Why? Because it was interesting to watch, I kept wondering, what’s bothering her? To me that is cinema at its best, the visuals set the scene and we become emotionally involved. A bad film will go straight to dialog, giving us a lot of blah, blah, yada, yada scenes that are stale setups and couldn’t be blander. Hitchcock’s nakedness with his voyeurism gave his films room for you to breathe. Dialog is not used in a feverish manner but instead saved for appropriate moments to properly move the story forward. It is a great balance that many films lack these days and it isn’t horrible but it just makes those film experiences as comparable to a fast food restaurant. Hitchcock always offered us a five star meal.

Beauty is very important in Hitchcock films. I love him for that. You can almost sense his tension that comes from looking at a beautiful woman. Alfred Hitchcock never really wrote his own scripts but history shows that he worked very closely with his screenwriters in developing the stories he wanted to tell. That’s why I think his films always feel very personal even when the story seems to have nothing to do with his private life. “The Birds” is a perfect example of this theory.  I believe “The Birds” is Hitchcock’s visual poem to women.  This theory fascinates me for various reasons. For starters, let us not forget that Alfred Hitchcock was imported from the UK. Bird in British slang is defined as:  a female, usually very attractive. This is a big clue to understanding the many facets of Hitchcock’s film. All three main female characters, Melanie, Annie Hayworth and Mitch’s mother Lydia are very attractive females. You can tell that Mitch’s mother was once a beauty and it adds a layer to her character that is crucial to the film. Alfred Hitchcock is elaborating on the “Pretty Complex” if you are knowledgeable with his work; you know that Alfred Hitchcock thrived in psychoanalysis. In this boring America where you can’t call someone ugly, films that use looks in this manner I very much crave. Most films use women’s beauty as a plot device; you know “distract the guard”. Alfred Hitchcock was always attuned to the power of images and understood that beauty is a powerful tool. Through his characters he displayed the emotional weight that comes from living a life as being recognized as one of the beautiful people. Melanie’s attitude throughout the films confirms this. Any lawyer will tell you that appearances matter, bottom line pretty people get more breaks than ugly people. Nothing to cry about, but it is great when a director recognizes these factors and uses it to make his characters hold some sort of truth. 

 From the first scene in the bird shop we can see Melanie in all her true colors. The way she was dolled up by Hitchcock and the legendary Edith Head is stunning; she looks like a walking Barbie doll at times. In the bird shop she exuberates energy thrusting with confidence and control with the flair of someone that can get anything she wants by blinking her eyes. Without even noticing she makes the clerk in the bird store uncomfortable and discreetly forces her to deliver the birds to her house. The beauty aspect of Melanie’s character also correlates perfectly with the story as she is tired of being treated as a plaything. She wants Mitch to take her seriously and put the fun days of “Rome” behind her. Hitchcock’s careful tact in creating his characters makes great use of Tippi Hedren’s beauty. She is not just up there for show but her whole appearance is an integral part of the story. The brilliance of this film is hard to cage and gets even more impressive when Melanie and Mitch’s mother Lydia meet.  It is easy to make a film called “The Birds” concerning some random group of people. (Like most disaster films) It is another thing entirely to create a strong visual metaphor to match your story. When a film is this thought out you can’t help but watch it again to discover more of its grand ideas. Usually when a bird attacks you it is because you are too close to its nest.  In the film we have two women who have created a sort of nest around Mitch. When Melanie arrives on their territory is when things begin to go haywire. She meets Annie Hayworth first; you can sense the conflict between the two but Annie decides to stay calm thus filling her mind with a quiet rage. Shortly after that, Melanie is attacked by a Seagull. One of the theories why the birds attack goes like this: Since birds use the Earth’s magnetic fields to travel, the emotional disturbance felt by Lydia and Annie brought upon Melanie’s arrival is causing the birds to wreak havoc. It makes sense if you follow the film closely. Doesn’t matter if it’s true, no truth on the matter is ever revealed. Like a mesmerizing painting “The Birds” is instantly beautiful, yet forever long filled with mystery. 

  

As I said before Hitchcock’s “The Birds” to me is very much a poem to women and all the roles that they play in many men’s lives. For example all the important characters in the film besides Mitch are women.  Melanie is the new love interest, Annie, the ex-girlfriend, Lydia, the mother and Cathy, Mitch’s baby sister.  As you can see these are important roles that almost every man has to deal with on a day to day basis. We never truly get to know Mitch, we learn more about Mitch through the women in his life. The point of this set-up to me adds a great foundation for the film’s theme on female psychological behavior and how drastically women change throughout their lives. We have a young girl excited about her surprise birthday party, a fierce pretty young lady whose looks allow her to approach situations with very little boundaries, a bitter broken hearted woman and the abandoned mother. If you put all those pieces together you will realize that all those characters represent women in a sort of chronological order.  Most women will start life as Cathy and end up being afraid of being alone like Lydia. Mitch (which is just one letter away from Hitch) is a very simple man and that’s the whole point.  Women are emotional creatures thus go through more intense changes in life. Men do not have much maternal instincts so like Mitch we get caught in the middle of all the emotional madness. That’s basically what you are watching in “The Birds”. Mitch, dealing with an aging mother, a strange stalker-ish ex-girlfriend, a possible new love interest who demands to be taken seriously and his innocent little sister who he must protect. The horror that Hitchcock is truly trying to get across in my opinion is that the women we love are all those things at once. This represents a strong sense of fear that Hitchcock has towards women, which is apparent in many of his films. I love the honesty of what he is trying to say with his feelings, it doesn’t sound righteous but it is very honest. It takes all the silly dreams of grandeur that many people have about beautiful women and flushes it down the toilet. “The Birds” invaluable insight on these beautiful creatures called women is fascinating yet he never relies on making a point. Alfred Hitchcock, a man dedicated to voyeurism knew that there is no need for a point when behavior itself is beyond interesting.  Which when you think about it that is very akin to the feeling you get when you watch a bird flying through the sky, fascination. 

I very much admire Alfred Hitchcock’s dedication in creating a well thought out movie with many layers for us to discover, but I also love how he respects a genre. This film has some classic disaster/horror clichés which Hitchcock wisely uses as comical relief and to make the film feel like a movie. We meet an “expert”, the stubborn old lady in the diner who knows everything about birds and later in a great moment of shame hides her face in defeat. There’s the hilarious crazy drunk at the bar who speaks of the end of the world and quotes the bible. The “freaked out mother” character who worries about the children and later manically blames Melanie for the birds attacking. The characters I just broke down can be found in countless genre films like “The Birds”, and keeps the film from becoming too serious or realistic. Hitchcock made movies; he was not trying to capture some oblique truth about real life like some lost film student. He was interested in making great popcorn movies filled with suspense and interesting characters. Making popcorn movies is an art form that involves great writing, grand vision, and the talent to highlight moments from life that would bode well in a popcorn movie. What makes Alfred Hitchcock a legend is the fact that his movies were created with popcorn movie intentions but are stuffed with a wide variety of sub-text, and technical beauty that truly make them a work of art. He had the ability to confront mainstream audiences with dark truths almost on a sub-conscious level all the while keeping them exquisitely uncomfortable. 

 

Many of the best directors of the last three generations are creative children of Hitchcock. Watch Steven Spielberg’s Jurassic Park (The kids in the jeep scene is an homage to a similar scene in “The Birds”) Brian De Palma has dedicated much of his career to reworking some of Alfred Hitchcock’s brilliant techniques.  His dedication to creating films that have grace and beauty of the kind that only a perfectionist can deliver is a reason I believe his work will continue to inspire future generations.  A shot of Annie Hayworth standing next to her mailbox is epic because he decided to take the time to find the BEST way to frame that shot and coordinated the colors on the screen for the optimal viewing pleasure.  None of his films mired in mediocrity. He loved to be innovative and desired for us to follow him down dark tunnels that will lead to new cinematic experiences. His classic horror film “Psycho” was created with that mentality and that film changed the horror genre forever. “The Birds” works in a similar way as the film begins with Hitchcock’s love for interesting situations and later it becomes an interesting situation that gets attacked by birds. Unlike most films where it’s usually a very bland situation (with dull characters) peppered with an attack by aliens, comets or whatever Hollywood hacks agree on as a strong selling point. Hitchcock was very different in that regard; he wanted his work to mean something to transcend time. The only way to do that is to elaborate on some human truths that will never go away. Love, pain, fear, jealousy and dealing with a mother. His grand style at first makes his films seem very impersonal but if you listen and pay attention, you will begin to hear echoes of his screaming heart.    

ABOUT RCM: RUTZ Classic Movies is dedicated on writing film essays for films that in Rutz's opinion, have not gotten the credit they deserve. Next Essay: Quentin Tarantino's "Jackie Brown"

 

Rutz Song: "Our language"

This is one of my instrumental songs, which I make from time to time. I have a whole EP completed of instrumentals called "A Long Walk" which I hope to release someday. For now please enjoy this one and let me know what you think! A big THANK YOU to everybody who has supported my work and shared it! You guys make my days great and keep me going. Got some surprises coming soon that I can't wait to share with you. I will continue to work hard. 

RUTZ Classic Movies: "Bringing out the Dead"

Directed by Martin Scorsese    

Line that stays with me: “Saving someone's life is like falling in love. The best drug in the world.”

Essay Warning: There are no spoilers or story details. I want to offer the emotion that a film can access within us. Plus I think the best way to watch a film is by not knowing anything about it. Just Go In…So if you haven’t watched this film yet please don’t read this essay. Read it afterwards so we can enjoy the “feeling” together.

Being perceived as a great director must make it very difficult to make films. Knowing that each film you create will be compared to your masterpiece or most recognized film must add all sorts of complications to your creative process. Martin Scorsese is one of those directors. Justified but still rather unfair, I mean he’s being hailed as the director with the best movies in 3 decades. 70’s “Taxi driver”, 80’s “Raging Bull” and right at the beginning of the 90’s “Goodfellas”. He could have retired after making anyone of those films and he would have still become a legend in cinema history. Martin Scorsese is cinema, the fire, the passion, and films that excite you not just for the great storytelling but the images that strike our hearts and minds like very few directors have the ability to do. Martin Scorsese is a director that continues to excite us in the most honest direct way, visually. The way his shots become moments so powerful that you remember them but you do not talk about them, you admire and you know it meant something.  That kind of cinema is very rare, it is like magic. “Bringing out the Dead” is classic Scorsese. NYC, the streets, and a story that takes place in a horrific, dangerous atmosphere in jobs and places most human beings have forgotten to save sympathy for. I think he wants to take us there for good reasons. Paramedics have one of the many jobs in America we take for granted of course that is until you’re on the floor screaming for HELP. If anything this film humbles you. Who would want to go to work every day in a job where there is a strong possibility you will witness someone die in a terrible sudden fashion? It is a job that must be done and a very important one yet we treat these people like nobodies. Reality show stars that eat up precious time you will never get back get more respect but there is very little chance that a reality show star will ever be there for you in a case of emergency. So knowing that I live in this crazy, upside-down, it is what it is world (For now) I thank God there are directors like Martin Scorsese. I’m thankful for those directors who want to open your mind, your heart and take you places that help us better understand us as a whole. They help us see the weird, strange, beautiful, sad and dangerous human beings we can be or become.

 

There is much to admire in a film like “Bringing out the dead”. Even after watching it seven times, I feel like I still have some unanswered questions that I will probably better understand later in life. For now I love its sense of life, human comedy, and mystery. I know some people view this film as “Taxi Driver 2” and I understand why but I think it is uncalled for. “Taxi Driver” deals with desperation, “Bringing out the dead” deals with salvation. It is not the classic story of a loner gone mad, but a man who is alone because of a job that has taken its toll on his soul.  Unlike Travis Bickle, Frank Pierce can speak to women without creeping them out, he was even married once. Now after a long string of bad luck and sleepless nights haunted by the thoughts of young girl that he could not save, he meets Mary Burke. That’s where we come in and we get to watch this strange relationship develop around death and misery.  The performances in this film alone are worth at least one viewing. John Goodman, Ving Rhames, and Tom Sizemore all have classic sometimes hilarious moments in this film. Nicholas Cage and Patricia Arquette are very fascinating to watch together. They deliver the performances needed to make this film truly special. Nicholas Cage’s moments of wild lunacy are great here; he also delivers great quiet moments like in the scene where Frank and Mary discuss their past. Patricia Arquette delivers her lines with such perfect tone and has simple moments that are performed with great emotion.  Visually the film grabs you from the opening sirens to the perfect soundtrack blasting sometimes at higher than normal levels throughout the film. There’s a lot take in “Bringing out the Dead”, but on a basic film fundamental level this film is very well made. It is done so well that at times it is a struggle to watch this bleak reality and probably why it didn’t do so well at the box-office. This film did not hold back, it is raw with brief trips to the unknown and moments unwanted. 

The film begins with a moment that changes many people’s lives forever, the death of their father.  That scene leads to one of the film’s greatest mysteries. The mystery reaches a climax in that dreadful scene where it seems that Frank could hear the spirit of Mary Burke’s father begging him to pull the plug. There is no way of truly knowing if he really heard his spirit or not but we are confronted with an honest blunt question. What is the right thing to do in such a situation? When the hope for a miracle and the idea that death will at the very least bring resolution, conflict with each other in your mind, promising no easy answers.  The film mainly shows people’s reaction to death.  How Americans deal with death. Frank Pierce has a grand connection to death as saving lives is what makes him feel alive in some way. It is very important to remember that Frank loves his job. He could’ve picked another profession if he desires to be tortured for money but saving lives makes him feel like he’s on top of the world. That’s how this strange world works. Frank Pierce is very much like an addict and near the end of the film and after still not saving someone’s life he looks like a full fledge junkie who’s going through withdrawal.  His partners deal with death in completely different ways, which I think truly says a lot about us as a nation. John Goodman’s character is very corporate about death. I love that hilarious scene where Nicholas Cage asks him, “You ever thought about doing something else” and John Goodman goes on a whole spiel on how one day it’s going to be “Captain Larry” calling the shots, totally ignoring he’s poor friend desperate conversation.  Ving Rhames is brilliant as Marcus, seems like one of the few times Ving Rhames got to let loose a bit and have fun. Marcus is a religious man, which is a business created due to the fear of death and how many people find solace when a death occurs. One of my favorite moments is Ving Rhames screaming “You need the Holy Ghost Frank! The Holy Ghost! The irony and the beauty of that moment is why I love cinema. Here’s Frank struggling with a ghost that haunts him and Ving Rhames’ solution is to go find another ghost. For all we know Marcus could be right but in that moment it sounds terrifically absurd. Tom Sizemore is incredible and also very hilarious at times as Tom, especially in that conversation with Frank about how much respect he has for his ambulance because he has tried to destroy it but it will not die. Tom Sizemore’s character is another classic American reaction to death. There are people who have developed a tough skin and revel in such matters or get excited by the carnage on a visceral level. We all have known people like that, the kind of people that can watch a very bloody surgery while eating a ham sandwich. Well, America is a tough place, New York City especially so it is not surprising that someone will develop in such a way. But like Tom Sizemore in this film those people can be INTENSE.  The breakdown of Frank’s partners in crime in terms on how they deal with death is quite stunning and does speak loudly about Americans as a whole. Larry is the corporate man, whose desire for a better life allows him to do his job without letting the day to day misery of the world ruin his parade. Marcus believes in God and that when it’s your time, it’s your time.  Thus he doesn’t truly feel responsible for someone’s death, it was just their time and that lets him sleep at night. Tom’s character is the man in it for the action; he enjoys the environment, the intensity, jokes about people who are near their death so he must have another layer of understanding. Tom’s attitude towards life will not allow him to get emotionally involved it is just another bloody Sunday for him. Nicholas Cage’s character is the only one that truly lets it in. He cares about people he probably only knew for ten minutes. That makes his character very beautiful but ultimately tragic, he does not seem to understand or believe that there are more powerful forces at work in this life. Some things are out of our control, simple as that. The final scene in the film explains this when Patricia Arquette, with a perfect tone and soft voice plainly tells Frank “It’s not your fault, no one asked you to suffer, that was your idea”. 

Many times one of the best things about watching a Martin Scorsese picture is his soundtrack selections and how he creates amazing sequences with what seems to be the most appropriate track. One great example is how he used Harry Nilsson’s “Jump into the fire” in “Goodfellas”.  Till this day that is my favorite sequence in any film, I am not calling it the best, but it is my personal favorite.  From the opening scene Martin Scorsese uses popular music in a very exciting, thought out way by using the harmonica off Van Morrison’s “T.B. Sheets” to match the ambulance swerving into frame sirens blaring filling the screen with an  atmosphere of vermilion.  You get a crazy crane shot with R.E.M.’s “What the frequency Kenneth” as we arrive on a drug deal gone wrong in the ghetto. Perfect song for its relevance to America’s past and the human disconnection brought upon modern society. You get two great Clash songs, one being “Janis Jones” edited to a wild moment that offers us the brief bliss of madness.  Throughout the film you get to watch stunning moments scored with great songs and when you dig up the history of these songs you will find a whole other layer to the film that Martin Scorsese has prepared for you to enjoy and reflect on. 

The film is a journey through hell.  Something Martin Scorsese is famous for in a way. He wants to take us there and understand some very special kind of people; these are characters no one usually points a camera at.  As if saying if you can grasp some understanding from such dark corners of society than maybe we will be better people as a whole. It is easy to play the blame game, but it is something else entirely to try and find answers.  Even if at the very end there are no answers, the journey itself is the reward. Crucial experiences that will change your life forever and which many times are triggered by a death. The ending of one thing is the beginning of something else. This kind of ideology appears constantly throughout the film. Frank ends his streak of bad luck and finally saves somebody. The death of Mary Burke’s father leads her towards a relationship with Frank. Marc Anthony’s (He has moments in this film) character Noel, Mary Burke explains, was not always crazy. Some drug dealer shot him in the head and like Mary said “He wasn’t the same since”.  The man Noel once was is dead, which is a great example on how death doesn’t always mean dead and buried. The idea of being dead can also correlate to some people who are walking around like the living dead, while loved ones wonder what the hell happen to you?? The fact that I can experience all these emotions, thoughts and continually laugh throughout the film because of the human comedy made me a big admirer of this film. Classic Scorsese at the end of the day can make you laugh one minute then shock you the next all the while caring about the characters. At the end of the film as Frank lies down with Mary Burke and closes his eyes for that sleep he has been dreaming for, I feel his peace. 

ABOUT RCM: RUTZ Classic Movies is dedicated on writing film essays for films that in Rutz's opinion, have not gotten the credit they deserve. Next Essay: Alfred Hitchcock's "The Birds" 

               

 

RUTZ Song: Walk in the Sunshine

I hope you enjoy this song, made it a while back when I realized some very important things. Big thanks to everybody that continues to support my work, thanks for all the RTs, comments, and for showing love. I will continue working hard, new EP coming, enjoy this song for now.





Lyrics

I can see what I want to change

It would take away the pain

It would take away the stains

Let me live my final days

Tired of working in vain

Sick of the way I complain

Watch me drain the rest of me

Watch me change history!

From the thirst of mystery

I will allow anything

I can do anything

I will not limit the dreams

I want to walk in the sunshine

Verse 2 

Take your head out of the sand

Let go of all your plans

Don't live for their demands

We already know it's all a sham

Time to do something for yourself

Something some won't understand

Cuz they think your the same man

But YOU

You wait to breathe

You are seeing things beyond belief

Now that your soul has been set free

You wave goodbye to human beings

RUTZ Poem: The Places that seem Forbidden

Dark mountains no one has seen

Dreams that turn to realistic nightmares

The moment your heart stops beating

Tears that have no meaning

Smiles of people you never will know

Yelling at the top of your lungs

Running till you collapse

A fire that can burn you into dust

Trust in your heart

Ocean waves that do not care if you drown

Dogs that bark at what looks like nothing

Freedom

The day time will not matter

Love for someone you will never understand

Hate for strangers you will never meet

Crimes you said you wouldn’t commit

Vacations you can barely remember 

Images that change your attitude in ways nothing else can

Sounds that mute every thought in your head

Touching the most important person in your life one last time

RUTZ Classic Movies: Eyes Wide Shut

Directed by Stanley Kubrick    

Line that stays with me: “And why haven't you ever been jealous about me?”

Essay Warning: There are no spoilers or story details. I want to offer the emotion that a film can access within us. Plus I think the best way to watch a film is by not knowing anything about it. Just Go In…So if you haven’t watched this film yet please don’t read this essay. Read it afterwards so we can enjoy the “feeling” together.

Stanley Kubrick is modern cinema’s most celebrated director. A God in most film circles, he’s the one to beat if you take this profession seriously. Big name directors like Michael Bay will be forgotten the minute another blockbuster director wows us with special effects. The films Kubrick made will continue to inspire, excite young filmmakers and guide them towards pushing the boundaries of cinema like he did. He is one of few directors to offer us journeys instead of plots, all with the extreme care of the likes we may never see again. It took him 400 days to shoot “Eyes Wide Shut” which sounds insane but the film is a masterpiece and it is filled with beauty in plentiful ways. Visually, I wouldn’t know where to start, watch the film on Blu-Ray and you will see what I mean. Shots planned to perfection with the production design overwhelming you at times or dragging you further into the moment Kubrick wanted us to experience.  You also have a great score by Jocelyn Pook, which Stanley Kubrick uses for a hypnotic effect or to create a simply great suspense scene, like when Tom Cruise’s character Dr. Bill Harford believes he’s being followed. In order for me to write this essay without over writing I must get these pleasantries out the way. I can write a whole essay on the film’s visual beauty but this film to me is more about the very powerful ideas it wants to share about human beings, male and female.  

Most films treat sex these days as eyes candy, cheap eroticism or mainly comedy. Very few films elaborate on our basic sexual human needs and their trappings. Mainly for it is something most people like to bury in the back of their minds. Unfortunately, in this day and age we can no longer behave that careless. I truly believe that’s one of the reasons Kubrick made this film, in a sense it is the ultimate human frontier. Kubrick, took us into the far reaches of space (2001: A Space Odyssey) the dark truths of youth revolt (Clockwork Orange) and the scary madness behind the powers that be. (Dr.Strangelove) Kubrick was a perfectionist extremist, a director who only made a film because he thought it mattered or had something to say. Never rushing his work but merely waiting for the right time to create a film that had true relevance.  In 1998 this country had come to some very disturbing realizations, especially with the Bill Clinton/Monica Lewinsky scandal. Yes, we have built a very comfortable modern society but the monster waiting in the dark for some was not terrorists but literally them. In a world where everything is so basic and routine, curiosity for more or the unknown becomes the real enemy. Many do not understand but I will make it plain, no generation has ever had the vast amount of sexual options that we have today. From the internet to the fact that we can travel the world much easier than ever before, sexual conquest is now available in ways generations before us could only dream. What will that sexual madness do to families or, everyday people who might realize a tad bit late that they want more? This is a very critical problem that has already affected this country in the last decade and it will only get worse. Divorces are running rampant and nobody wants to take care of their kids, they rather get laid. 

I wish I was exaggerating about some of these issues but I know I am not. We make TV shows about these issues, “Jerry Springer”, “Maury” and “To Catch a Predator” to name a few shows making money off other people’s lack of sexual control. What I love about this film is the fact that it take us there not just to laugh but to have an honest, intelligent conversation about it. It slows you down and makes you realize you could easily fall too. The fact that we treat this issue as one big joke could be one of the reasons matters have gotten worse. Stanley Kubrick, was near his death while he was making this film and at times the film feels to me like having a conversation with a wise old man, who has some very basic things to say before he is no longer among us. It is also very special due to the fact that Kubrick’s films have always dealt with logic versus emotions. There is no better way to analyze this issue than with a married couple. Men have stern logic, woman are filled with emotions. Not everybody is the same, but I am merely speaking about the majority of people. It is the way we are built or brought up. That’s why I love that scene when Tom and Nicole argue after smoking pot. It is one of the most realistic “Couple arguing moments” I have ever seen on film. It started as a good time and ended with the couple speechless silenced by bleak confessions. If you have ever been in a truly serious relationship, one that you want to last forever, then I am pretty sure you know that feeling. I can watch that scene all day. It can make you laugh, stop, and think or drag you back to moments in your life that felt similar. Yes, this film tries to pierce our souls and if you are honest with yourself, there is very little chance you will walk away unaffected. You just have to watch it at the right time in your life. When I watched this film 10 years ago, I thought it was OK. Now it is like looking upon an ocean of truths, knowing some of those waves will one day reach my shores.   

The film acts as a guide, a warning for men and women who want to open their eyes before it is too late. “Eyes Wide Shut” has the quiet anger of a man that knows that things are getting out of control, thus the scene with the young Leelee Sobieski. Let us start with a key question, is marriage important? I say yes and no. Yes for those who plan to take it seriously and raise their kids. No, to those lazy bastards out there who do not take care of their kids and leave it up to us to clean up their mess. Even worse that kid grows to be a murderer, shooting people in a movie theater for no reason. Parents are very pivotal to a society’s longevity, but in America we play the blame game so we never get down to brass task. If a child does something terrible, the parent is to blame. It is a parent’s job to teach their children right from wrong. If the parents have their heads up their ass, trying to behave childless, caught up in affairs and what have you. How much time and effort will that parent have to teach their child right from wrong? Being a parent has to be the hardest job in the world and lot of lazy people are having kids these days. In America it seems like everybody wants everything all at once. But as Chris Rock said “You can’t get your club on and your kid on at the same time”. We need great parents in this country, in order to reduce crimes and ugly events from happening. Thus the importance of marriage becomes one of the most confusing problems facing this modern age. We need successful marriages in order for the future generations to have a decent upbringing but dammit our bodies are not exactly built to make that sort of life easy to live. 

  

“Eyes Wide Shut” probes this issue right from the beginning. Not only from a man’s point of view but from a woman’s point of view as well. In the majestic, at times almost dream like Christmas party scene (The aura of Christmas is very prominent throughout the film, which adds another layer to the reality/fantasy/desire and family themes) a half drunk Nicole Kidman, flirting for the thrill of it, dances with a Hungarian man, the elder gentleman tells her the reason women got married in the past. He says it was easiest way for women to lose their virginity and to sleep with the men they really wanted to sleep with. This film wants to make sure you understand the reality of marriage and marriage in America. That’s why it takes place in New York City, easily America’s most famous city. Also, the film has chosen our hero to be a Doctor, so intellectual and economical excuses will be rendered irrelevant. Dr. Bill Harford is an American man with no real problems who almost threw his entire life away for a moment of pleasure. There is no excuse for our hero’s behavior which makes the story much more powerful. It all stems from the basic needs and desires we all have as human beings. Men have a need to conquer and woman have a need to be conquered. Logic over emotions, no film has attacked this issue between men and women better than “Eyes Wide Shut”. In that classic argument scene Tom Cruise tries to explain to his wife why he wouldn’t want to sleep with somebody else. Nicole explodes in frustration saying something to the effect of “Why aren’t you ever jealous”. There you go. Do you see how crazy that sounds “Why aren’t you ever jealous?”  Now any grown man who has lived can tell you he has heard that before. It doesn’t make any sense, Tom tells her he doesn’t get jealous, and Nicole gets upset because her emotions block her logic. Women love to be desired and unfortunately marriage brings staleness into the relationship brought upon routine and new responsibilities like raising a child. One of my favorite moments in the film is during that classic shot of Tom and Nicole making love in front of the mirror. That moment when the camera pushes in on Nicole’s face and as her facial expression turns from orgasmic to restrained disappointment. Why? Because Tom Cruise is making love to her but all she really wants is to get fucked, ravaged especially after dancing with that Hungarian man.

The argument scene lays out all the groundwork for the film. Nicole confesses some sexual secrets and a fantasy, which makes Tom, feel like it doesn’t matter if he gets laid; his wife was ready to throw it all away for a naval officer she never even spoke to. That scene sends Dr. Harford on his Journey to discover the extreme in sexual behavior. With that unintentional push from his wife Dr. Harford says “Fuck It” I am not going to hold back anymore, I am going to have sex with whoever turns me on, she don’t care, I don’t care. This leads to a crazy series of events in which Dr. Harford thinks he’s going to get laid and never does. To his disappointment and later to his relief, I love that scene with Tom reading a newspaper with a front page that says “Lucky to be alive” after he’s just found out he almost had sex with a woman who is HIV positive. Scary realities we live with but this film somehow found a way to plainly show how lucky we are in a world where tragedy can arrive in the most obtuse forms. When Dr. Harford enters his home and finds out that his wife has found his mask, he crumbles. He confesses everything which is beautiful because he has decided what kind of person he wants to be. Which is very important, it reminds us that it is up to us to decide in which direction we want our life to go. Some people want to know the meaning behind the cult in the film, is it the Masons? Is it this, is it that? I say that it is not really important, at least not in that sense. The cult to me stands more for a way of life. If you want to live a life filled with orgies, sexual madness, and everything that comes with it, then please don’t get married and have kids. It is not going to work. At the end of the day that’s what “Eyes Wide Shut” means to me. It shows how blind we can become when either lust or love attacks us and weakens our better judgment.  It also means to me of how in this day and age we walk blindly around these truths until something terrible happens. It is also a very beautiful title for its resonance of depth towards sexual pleasure; I mean everybody has closed their eyes during climatic sexual pleasure plus you really can’t beat “Eyes Wide Shut” as the title of the movie you make right before you die. The film ends with blatant truth as it began. In order for us to keep a marriage going we must tend to it, which usually is not what happens. Most of the times is seems to be the opposite effect, complacency. Underestimating the fact that women reach their sexual prime in their early 30’s and men are always going to be men. So what needs to happen in order for a marriage to survive its most basic downfall? It is as simple as what Nicole Kidman says at the end of the film; they need to fuck, not just “make love” all the time, but let it all out together and fuck. That’s the animalistic nature within us all and it is nothing to be ashamed of, but definitely something to be aware of, you know Eyes Wide Open. 

ABOUT RCM: RUTZ Classic Movies is dedicated on writing film essays for films that in Rutz's opinion, have not gotten the credit they deserve. Next Essay: Martin Scorsese's "Bringing out the Dead"